(Source: amajor7, via theavamovement)

mxdp:

You can buy a floor tile with your name on at the Shakespeare’s Globe in London. The bigger the donation, the bigger the tile. John Cleese bought one for himself and a bigger one for Michael Palin, under one condition: they had to spell Michael’s last name wrong: it now forever says Michael Pallin.

mxdp:

You can buy a floor tile with your name on at the Shakespeare’s Globe in London. The bigger the donation, the bigger the tile. John Cleese bought one for himself and a bigger one for Michael Palin, under one condition: they had to spell Michael’s last name wrong: it now forever says Michael Pallin.

(via itchybrownsweater)

(Source: infinitenap, via misslemonbar)

(Source: ohcire)

melifluus:

Julianne Moore as “Famous Works of Art” by Peter Linderbergh - for Harper’s Bazaar

Seated Woman With Bent Knee by Egon Schiele, La Grande Odalisque by Ingres, Saint Praxidis by Vermeer, The Cripple by John Currin, Les danseuses by Edgar Degas, Madame X by John Singer, Girl with a Pearl Earring by Vermeer, Woman With a Fan by Modigliani, Man Crazy Nurse #3 by Richard Prince, Adele Bloch Bauer I by Gustav Klimt.

julianne moore is SUCH a BABE

(Source: marthajefferson, via misslemonbar)

(via mad-madison)

hitrecord:

“Don’t Know”
Illustration by stevebreski
==
MattConley (Community Director) writes:
Fantastic! This says so much with just one panel. Great work, and instantly relatable too!

hitrecord:

“Don’t Know”

Illustration by stevebreski

==

MattConley (Community Director) writes:

Fantastic! This says so much with just one panel. Great work, and instantly relatable too!

(Source: wohnder, via c-oquetry)

fororchestra:

may the fourth be with you

Perfect.

fororchestra:

may the fourth be with you

Perfect.

(via inacinematicfashion)

estimfalos:

Reading between the linesGijs Van Vaerenbergh

Depending on the perspective of the viewer, the church is either perceived as a massive building, or dissolves — partly or completely — into the landscape. Those viewers that look from the inside of the church to the outside, on the other hand, witness an abstract play of lines that reshapes the surrounding landscape. In this way, church and landscape can both be considered part of the work — hence also its title, which implies that to read between the lines, one must also read the lines themselves. In other words: the church makes the subjective experience of the landscape visible, and vice versa.

Read more

(via helloloveducks)